Director Tom Hooper adopted a huge legacy when he agreed to
make yet another version of Victor Hugo’s classic French tale. There are two
French film versions of the story: the epic Raymond Bernard production of 1934
and the lesser-known 1958 film directed by Jean-Paul Le Chanois. Hollywood presented
its own adaptation in the 1935 20th Century Fox production starring
Fredric March, Charles Laughton, and Cedric Hardwicke. A few years later they followed up with the 1952 film starring Elsa Lanchester and Edmund Gwenn. The most recent LES MISERABLES (1998) stars Liam Neeson, whom I distinctly remember drooling over
in middle school French class.
LES MISERABLES (2012) opens with the stunning scene of prisoners
using huge ropes to haul a toppled frigate into dock to be mended. The vast
impossibility of the task is aggrandized by the camera’s sweeping gaze – it is
nothing less than spectacular cinematography. The look and feel of the film as
a whole is spot on in capturing the atmosphere of revolution as displayed in
the story. Everything from the costumes to the set contributes to creating the
grungy, starving environment that was post-revolutionary Paris. All very well
done, if perhaps a little gory (there’s blood and stuff sometimes).
After having practically every one of my friends, in
addition to the hordes of online blogging critics, inform me of the tragedy
that is Russell Crowe’s voice, I was pleasantly surprised to find that it was,
if not melodious, at least tolerable. His performance on the other hand was
somewhat less than impressive – if anything it was a bit boring, especially for
such a meaty character as Javert. Poor
dear Amanda Seyfried’s pathetic warblings were almost more than my poor ears
could bear. I can’t help thinking Jane Wisener, who played Johanna in TimBurton’s SWEENEY TODD (2007), would have been a wiser casting choice.
Anne Hathaway's Fantine sings "I Dreamed A Dream" |
One casting choice that cannot be faulted however, is that
of Anne Hathaway as the fallen Fantine. That chick’s got pipes! Although she
had comparatively little screen time, Hathaway stole the show with her
portrayal of the desperate mother who was willing to sell her soul (and her
hair and teeth and body) to save her daughter. Her degradation was portrayed in
a much more graphic manner than I was expecting, but the force of her
performance lived up to the quality of the film as a whole.
Helena Bonham Carter and Sacha Baron Cohen as the Thénardiers |
Other performances of note are given by two Brits with three
names – Sacha Baron Cohen and Helena Bonham Carter. As the bawdy landlords, the
Thénardiers, they provide a few laughs in the midst of a rather serious
situation. At first I felt guilty laughing as much as I did at their dishonest shenanigans,
but then I thought, “No – it’s Helena Bonham Carter and Sacha Baron Cohen. I
will laugh as much as I damn well please!” I must have been doing something
right, because it wasn’t long before the whole theatre was laughing with me.
Margaret's Rating: 8/10
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